Celebrating Traditions, Embracing Impermanence: Reflections on the Teasing Gravity 2023 Tour
- Apr 19, 2023
- 3 min read
After a three year-long tour hiatus, the artists of Canadian Contemporary Dance Theatre embarked this April on a tour through Northern Ontario, making stops in Kirkland Lake and Deep River. Company dancer Zachary Seto reflects below on the journey and the unique joys of the tour experience. Thank you to the lovely people at Kirkland Lake Arts Council and THEOP for hosting us, and to all the beautiful audiences who attended our performances.

I sit here by my window watching the raindrops resting on the glass and the sun settling in for the day. I’ve just arrived back home, and find myself feeling the entirety of the last week…the after-show rush, the absence of waking up to the tenderness within my friends, and the northern spirit of Canada that carried our bodies across this tour.
As I recalibrate, I can recall the whistling of the trees and the movements of the crystal waters. There’s a deeper story that wants to be told about committing to this company. It is a calling, a learning, that if we are willing to listen, guides the soul home. As an artist, creator, and dancer, choosing to make the choice to commit has been an active prayer of responsibility, rest, and a dedication to dance.

Scenes from the road to Deep River. Photo by Zachary Seto.
It requires the full autonomy of the kinetic human body and asks one to travel timelines all through the 4 walls of 509 Dance in order to bring the repertoire to life. The training, endless hours, and meeting of bodies on the dance floor, all of it becomes part of the journey we celebrate when we go on tour. This was a truly special tour as it was the first one following the worldwide pandemic, allowing the continuation of the company’s 40 years of lasting tradition. We, the 2023 artists, had an undying sense of wonder brewing within us. Our visions of the stage, lights, and the people we would meet there, in both Kirkland Lake and Deep River were calling our names. Stewarded by Deborah Lundmark, Michael deConinck Smith and mentored by Steph Harkness, we were all held on solid ground by their everlasting support.
And so we danced. Performing a potent mixed program including works by Hanna Kiel, Jennifer Archibald, Charles Moulton, Nicole Caruana, and Rodney Diverlus, our one communal voice as a family emerged and radiated through the theaters.
Our time away weaved such honour for one another and birthed a bond that danced to its own rhythm. We were gifted with a sense of reverence and victory that united us. It was with this, each of us was able to move through the mystery of the dance floor and soak up all it had to offer. Moving on such a rich timetable, we had our moments of needed space where we were all able to find the pockets of time that supported our vessels. I felt there was beauty in knowing when stillness or laughter was calling.
When I step onto the stage, connect in the studios, and dance in spaces so unknown, what grounds me is the lineage of this company. I can feel all our voices, the last 40 years of history smiling bright in the palm of our hands and soles of our feet. With every step, pattern, and rhythm we ride, I can hear the Canadian Contemporary Dance Theatre speak to me.

I write to reflect on this and express my deepest inhalation and imagination to this year's company. I can still hear your spirits in those halls, remember the warmth imprinted in my heart, and feel the touch of your kindness and the points of connection we created on those sacred lands. There is something so special in becoming inspired by the impermanence of our experiences.
Since arriving home, I find myself moving to the beat of our hearts and finding solace in the memories we made.
Thank you to my dance family for journeying with me. Thank you, Michael, Deborah & Steph for your unwavering advocacy, leadership, love, and support. Thank you to the building, 509 Dance for holding a sacred grid for every generation that has moved through these floors and gone on to create such beauty in this world.
May we continue to honour and build from here.
Blessings,
Zachary Nolan Seto































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The theme of embracing impermanence in this tour is so beautiful—it really mirrors the fleeting nature of live performance and how much we grow through reflecting on those moments! As a dance student, I’ve been trying to apply more structured self-reflection to my own practice lately, but the academic side of it can get so rigid. I was recently looking at the criticism of rolfe's reflective model for a paper on performance evaluation, mostly because the standard "What, So What, Now What" framework sometimes feels a bit too simplistic to capture the deep, messy emotional experience of an actual show. I actually ended up leaning on some New Assignment Help to help me articulate those artistic nuances without losing the…
This reflection on "Teasing Gravity" is absolutely beautiful—there is something so grounding about watching the flow of contemporary dance when your own life feels a bit chaotic! I’ve been using these performances as a much-needed mental break while navigating my final year of uni, as balancing the creative arts with my actual degree has been a total mission lately. I actually had to reach out for some Economics Assignment Expert Help just to get my latest data analysis project under control so I could actually afford a night off to focus on something as inspiring as this tour. Getting that bit of New Assignment Help has honestly been a lifesaver, giving me the breathing room to appreciate the themes of impermanence you…
Seeing the reflections on the "Teasing Gravity" tour is so moving—there’s something about the way dance captures impermanence that really hits home, especially when you're in the middle of a heavy semester. I’ve been trying to find that same kind of balance in my own studies lately; I’ve actually had to evaluate own strengths and weaknesses in using counselling skills for a major practical assessment, and it’s been every bit as challenging as a complex choreography! Honestly, I’ve been so stuck on the reflective writing part that I ended up looking for some New Assignment Help just to get my thoughts organized so I could finally get back to the studio. It’s a great reminder that whether it’s on stage or in…
Such a beautiful reflection on the balance between tradition and the fluid nature of performance—there is something so grounding about seeing art embrace impermanence like that! I’ve actually been trying to find that same kind of balance in my own life lately, though mostly in a much more literal sense while stuck at my desk. I’ve been deep-diving into a case study on the organizational structure of tata motors for my business strategy module, and trying to map out how such a massive, traditional legacy brand adapts to modern shifts has been a total headache. I honestly had to look for some New Assignment Help just to get my research structured properly so I could actually appreciate the "flow" of the corporate…